Angelique Jones
A Girl For Every (other) day of the week : lessons from the unfinished projects
In 2018, I shot a comedy short film exploring the roles the ‘millennial’ generation of women are required to perform in order to navigate...
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the creative process: journals of insights, the making process, sometimes poetry, sometimes prose, sometimes news
Angelique Jones
- Nov 20, 2022
Let the Dead Leaves Drop
LET THE DEAD LEAVES DROP - some musings from this month's Lást Letter As I wait for the bird song to tell me that it’s time to wake and I...
Angelique Jones
- Feb 21, 2022
The Hut: a new perspective
Director's statement about making her first film.
Angelique Jones
- Jan 9, 2022
Sound as a storytelling device: making 'The Hut'
When it comes to films, the music and sound are really what elevates the experience from something watched, to something fully...
Angelique Jones
- Jul 5, 2021
Making 'The Hut': a short film by Angel Jones
Writing, directing and producing a short film from start to finish... In May 2021, I wrote, produced and directed the “no-budget” short...
Angelique Jones
- Mar 16, 2021
‘Apricity’: A creative response to insomnia.
The making of a short film in a lockdown, collaboration and un-learning the desire for results before process.... 'Apricity' is an old...
Angelique Jones
- Mar 5, 2021
‘A long distance relationship’ with my self. One year later in the time of covid-19
It's been a year since the UK experienced our first covid-19 lockdown. And one year since I ran outside with my phone in one hand and my...
Angelique Jones
- Jan 8, 2021
'Adira's Dream': Making an independent feature film for the first time
A personal dive into film that time I co-wrote and starred in an independent feature film About the film: 'Adira’s Dream' explores life...
Angelique Jones
- Dec 28, 2019
'A Girl for Everyday of the Week': making a short film to learn how to make a short film...
In late 2018 I decided it was time to test my writing by turning script to screen. So, I shot a short film with a crew of 3 and this is...
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